Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
John Peter Berger Quotes
Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant. This ideology is compounded from different sources: items that have survived from religion, items of empirical knowledge, items of protective skepticism, items culled for comfort from the superficial learning that is supplied. But the point is that common-sense can never teach itself, can never advance beyond its own limits, for as soon as the lack of fundamental learning has been made good, all items become questionable and the whole function of common-sense is destroyed. Common-sense can only exist as a category insofar as it can be distinguished from the spirit of inquiry, from philosophy.
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Birth: | 5th November, 1926 |
Death: | 2nd January, 2017 |
Nationality: | British |
Profession: | Critic, Essayist, Novelist, Painter, Screenwriter |
John Peter Berger was born in London, England. He was an English art critic, novelist, painter, essayist and screenwriter. He studied at St Edward's School in Oxford, Chelsea School of Art, and the Central School of Art in London. He began his career as a painter and exhibited works at a number of London galleries in the late 1940s. He taught drawing at St Mary's teacher training college. He wrote several novels include: A Painter of Our Time, The Foot of Clive, Corker's freedom, G. (Won- Booker Prize for Fiction 1972, James Tait Black Memorial Prize for Fiction 1972), Pig Earth, Once in Europa, Lilac and Flag, To the Wedding, and From A to X. He wrote several essays include: Permanent Red, Toward Reality, and The Look of Things. He wrote several books (art criticism) include: Success and Failure of Picasso, Ways of Seeing, About Looking, and Keeping a Rendezvous. He wrote several films include: The Salamander, Middle of the World, Jonah Who Will Be 25 in the Year 2000, and Play Me Something.
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