Yeah, I try to be really calm.
Gus Green Van Sant Jr. Quotes
The artist himself is actually the subject in everything after, say, 1900. Eventually, art becomes so removed from the community that you have to know about the artist before you can even look at the painting, because there is a conceptual idea going on.
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You’re following your track, the story, your only plan, your map for the audience, and all the other stuff is, like, the fun stuff: the costumes, the locations, the set-dressing and the actors. They can all be variable as you like if you stick – however roughly – to the path.
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Yeah, Kubrick’s a big influence. In something like ‘A Clockwork Orange,’ he is trying to use the practical light – I mean, at least he says that in his interviews, like they’re not using traditionally Hollywood lights. In ‘Elephant’ we basically used no lights; we never really adjusted.
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When I was 14, I felt very rundown; I had a home to go to, but I felt like I was 60 or something, older than I feel now. And I don’t know if it’s something that happens at 14, or whether it was adolescence or whether I was gay, or closeted gay, or whatever it was, I felt that.
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Birth: | 24th July, 1952 |
Nationality: | American |
Profession: | Author, Director, Musician, Painter, Photographer, Screenwriter |
Gus Green Van Sant is an American film director, screenwriter, painter, photographer, musician, and author. He is a two-time nominee of the Academy Award for Best Director—for Good Will Hunting and Milk, both of which were also nominated for Best Picture—and won the Palme d'Or at the Cannes Film Festival for his film Elephant. He lives in Portland, Oregon.
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