Madeleine Stowe Quotes

• Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit.

  Madeleine Stowe

• Working on the accent helped, enormously. I will tell you that when I brought Michael a correct “British” accent, one that my dialect coach was happy with, he hated it.

  Madeleine Stowe

• We were all so different, temperamentally from one another, it’s impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It’s difficult to imagine. But something lovely came of it.

  Madeleine Stowe

• There were mornings in the make-up trailer where I’d have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.

  Madeleine Stowe

• There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of ’92 to look at his version.

  Madeleine Stowe

• The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day.

  Madeleine Stowe

• The scene was attempted a second time, up on top of the fort, and cameras didn’t even roll. Michael, though he wasn’t admitting it, wasn’t sure how to shoot the scene.

  Madeleine Stowe

• The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.

  Madeleine Stowe

• Sometimes I’ll turn the channel and there’s the movie and I can honestly say that those last few minutes always fascinate me. It’s one of the rare instances when image, music, and drama work effectively.

  Madeleine Stowe

• Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little.

  Madeleine Stowe

• Part of Michael’s uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.

  Madeleine Stowe

• My driver Kellie Frost and I would race these fellows home and they were always faster on the highway. We did the same with Daniel and his driver, and thus began a long series of jokes and competitions to alleviate the impossible hours and tensions this film provoked.

  Madeleine Stowe

• Michael would take us on location and see how the colors worked in the forests and fields.

  Madeleine Stowe

• Michael was very specific during rehearsals. When he was pleased, he always had this charming grin.

  Madeleine Stowe

• Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision.

  Madeleine Stowe

• It was treacherous. I think someone was injured. But I did love being there, we all did.

  Madeleine Stowe

• It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio’s problem was. I felt that he was at a point where they might have worn him down.

  Madeleine Stowe

• In the 90’s action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece.

  Madeleine Stowe

• I’ve never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I’ll bring my daughter to see them, if she’s interested.

  Madeleine Stowe

• I’m reticent to say much more, but we would like to begin in the coming year. We’d like to shoot through the seasons because of the passage of time. This project is the great love of my life.

  Madeleine Stowe

Madeleine Stowe (30)

Birth:	18th August, 1958
Nationality:	American
Profession:	Actress

About

Stowe has appeared on stage and television in early career, before her breakthrough role in the 1987 crime-comedy film Stakeout. She later starred in films Revenge Unlawful Entry, The Last of the Mohicans, Blink, Bad Girls, 12 Monkeys, The General’s Daughter, and We Were Soldiers. Stowe also had a leading roles in the independent films Closet Land and Short Cuts, for which she won the National Society of Film Critics Award for Best Supporting Actress.

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Today's Anniversary - 21st November

Births

• 1844 - Ada Cambridge
• 1965 - Reggie Lewis
• 1962 - Steven Curtis Chapman
• 1958 - Rickson Gracie
• 1963 - Nicollette Sheridan

Deaths

• 1958 - Mel Ott
• 1999 - Quentin Crisp
• 2000 - Sir Cyril Astley Clarke
• 1945 - Robert Benchley
• 1922 - Ricardo Flores Magon