Harold Bloom Quotes

• Everyone wants a prodigy to fail; it makes our mediocrity more bearable.

  Harold Bloom

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• The most beautiful prose paragraph yet written by any American.

  Harold Bloom

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• We read frequently if unknowingly, in quest of a mind more original than our own.

  Harold Bloom

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• Reading well is one of the great pleasures that solitude can afford you.

  Harold Bloom

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• What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude.

  Harold Bloom

• What matters in literature in the end is surely the idiosyncratic, the individual, the flavor or the color of a particular human suffering.

  Harold Bloom

• What is supposed to be the very essence of Judaism – which is the notion that it is by study that you make yourself a holy people – is nowhere present in Hebrew tradition before the end of the first or the beginning of the second century of the Common Era.

  Harold Bloom

• What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.

  Harold Bloom

• We read deeply for varied reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better; that we require knowledge, not just of self and others, but of the way things are.

  Harold Bloom

• The world gets older, without getting either better or worse and so does literature. But I do think that the drab current phenomenon that passes for literary studies in the university will finally provide its own corrective.

  Harold Bloom

• The world does not get to be a better or a worse place; it just gets more senescent.

  Harold Bloom

• The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.

  Harold Bloom

• Sometimes one succeeds, sometimes one fails.

  Harold Bloom

• Shakespeare will not make us better, and he will not make us worse, but he may teach us how to overhear ourselves when we talk to ourselves… he may teach us how to accept change in ourselves as in others, and perhaps even the final form of change.

  Harold Bloom

• Shakespeare is universal.

  Harold Bloom

• Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.

  Harold Bloom

• No poem, not even Shakespeare or Milton or Chaucer, is ever strong enough to totally exclude every crucial precursor text or poem.

  Harold Bloom

• Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don’t see any way of getting beyond those prophecies.

  Harold Bloom

• In the finest critics one hears the full cry of the human. They tell one why it matters to read.

  Harold Bloom

• In fact, it is Shakespeare who gives us the map of the mind. It is Shakespeare who invents Freudian Psychology. Freud finds ways of translating it into supposedly analytical vocabulary.

  Harold Bloom

Harold Bloom (32)

Birth:	11th July, 1930
Nationality:	American
Profession:	Critic, Professor, Writer

About

Harold Bloom was born in Bronx, New York, USA. He is an American literary critic, writer and Sterling Professor of Humanities at Yale University. He has written more than 20 books of literary criticism. His books have been translated into more than 40 languages. He received a B.A. degree from Cornell in 1951. He earned his Ph.D. from Yale in 1955. From 1988 to 2004, he was Berg Professor of English at New York University. He has written several books include: The Anxiety of Influence, A map of misreading, Kabbalah And Criticism, The Flight to Lucifer, The American Religion, Shakespeare: The Invention of the Human, How to read and why, Modern Critical Interpretations, and The Daemon Knows.

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