Gordon Parks Quotes

• You know, the camera is not meant just to show misery.

  Gordon Parks

• The subject matter is so much more important than the photographer.

  Gordon Parks

• The photographer begins to feel big and bloated and so big he can’t walk through one of these doors because he gets a good byline; he gets notices all over the world and so forth; but they’re really – the important people are the people he photographs.

  Gordon Parks

• The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibition. Later, Kodak gave me my first exhibition.

  Gordon Parks

• So I went to Chicago in 1940, I think, ’41, and the photographs that I made there, aside from fashion, were things that I was trying to express in a social conscious way.

  Gordon Parks

• People in millenniums ahead will know what we were like in the 1930’s and the thing that, the important major things that shaped our history at that time. This is as important for historic reasons as any other.

  Gordon Parks

• I’ve been with Life now for seventeen years and I have written several articles for them and will be doing more writing and do at least two assignments a year besides my writing.

  Gordon Parks

• I’d become sort of involved in things that were happening to people. No matter what color they be, whether they be Indians, or Negroes, the poor white person or anyone who was I thought more or less getting a bad shake.

  Gordon Parks

• I was there less than a year before I was assigned to the Paris bureau. I spent two years there and, in fact, before I even went on the staff I was sent to Europe to do assignments which they wouldn’t normally do for a young photographer just starting out.

  Gordon Parks

• I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to people and talk to them and get my work done.

  Gordon Parks

• I suffered evils, but without allowing them to rob me of the freedom to expand.

  Gordon Parks

• I bought my first camera in Seattle, Washington. Only paid about seven dollars and fifty cents for it.

  Gordon Parks

• But I was very disappointed that I didn’t get a chance to go overseas with that group, might not have gotten back but I wanted very much to go because there’s not much of a record of the exploits of the first Negro fighter group.

  Gordon Parks

• At first I wasn’t sure that I had the talent, but I did know I had a fear of failure, and that fear compelled me to fight off anything that might abet it.

   

   

   

  Gordon Parks

• And now, I feel at 85, I really feel that I’m just ready to start.

  Gordon Parks

• And I think that after nearly 85 years upon this planet that I have a right after working so hard at showing the desolation and the poverty, to show something beautiful for somebody as well.

  Gordon Parks

Gordon Parks (16)

Birth:	30th November, 1912
Death:	7th March, 2006
Nationality:	American
Profession:	Author, Composer, Film Director, Photographer

About

Gordon Parks was born in Fort Scott, Kansas, USA. He was an American photographer, film director, author, and composer. He is best remembered for his iconic photos of poor Americans during the 1940s, for his photographic essays for Life magazine, and as the director of the 1971 film Shaft. He directed other films include: The Learning Tree, Shaft's Big Score, The Super Cops, Thomasine & Bushrod, Leadbelly, and Solomon Northup's Odyssey(TV film). He also performed as a jazz pianist. In 1989, he composed and directed Martin, a ballet dedicated to Martin Luther King, Jr.. He wrote several books include: The Learning Tree, A choice of weapons, Born Black, To smile in autumn, Shannon, Voices in the Mirror, and A Hungry Heart.

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