Archie Shepp Quotes

• You get a show where people are jumping up and dancing, but it’s not a critical event in the sense of profound catharsis. Essentially it’s celebratory.

  Archie Shepp

• Yes, the audience is so important to Negro music, especially the element of call and response.

  Archie Shepp

• Today, music is visual.

  Archie Shepp

• To some degree, yeah, because I have to play a certain number of originals that might be considered avant-garde material. I realize though, that only a few people in the audience actually know what that music is, or understand it.

  Archie Shepp

• So, rap has that quality, for youth anyway; it’s a kind of blues element. It’s physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white – everybody.

  Archie Shepp

• So, I was just a young guy, maybe with an idea, and Cecil Taylor, himself a rebel, would take a chance on a guy like me. It turned out to be a very symbiotic partnership. I learned a lot from him.

  Archie Shepp

• Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole.

  Archie Shepp

• Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened.

  Archie Shepp

• It was a particularly interesting and exciting time, and the European political and artistic establishment was turned on by the Civil Rights Movement and the artistic revolution that was becoming a part of jazz.

  Archie Shepp

• In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.

  Archie Shepp

• In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn’t last long. The result is that the kind of music I played in the ’60’s is completely dismissed in this country as a wrong turn, a suicidal effort.

  Archie Shepp

• I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive.

  Archie Shepp

• Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer.

  Archie Shepp

• And when I met Cecil Taylor it was a complete transformation of musical identities. All the tenets that I had grown up with were thrown out the window.

  Archie Shepp

• A whole generation of young whites have involved themselves with traditional Negro music.

  Archie Shepp

Archie Shepp (15)

Birth:	24th May, 1937
Nationality:	American
Profession:	Composer, Pianist, Saxophonist

About

Archie Shepp was born in Fort Lauderdale, Florida. He is a prominent American jazz saxophonist. hepp is best known for his passionately Afrocentric music of the late 1960s, which focused on highlighting the injustices faced by African Americans, as well as for his work with the New York Contemporary Five, Horace Parlan, and his collaborations with his "New Thing" contemporaries, most notably Cecil Taylor and John Coltrane. Shepp studied drama at Goddard College from 1955 to 1959, but he eventually turned to music professionally. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, Archie Shepp - Bill Dixon Quartet, was released on Savoy Records in 1962, and featured a composition by Ornette Coleman. Shepp also writes for theater; his works include The Communist and Lady Day: A Musical Tragedy.

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Today's Anniversary - 21st January

Births

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• 1884 - Roger Nash Baldwin
• 1922 - Telly Savalas
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• 1944 - Jong Yong Yun

Deaths

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• 1924 - Vladimir Lenin
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• 2008 - Evan G. Galbraith