Anthony Minghella Quotes

• You know you lose a lot of social skills if you’re a writer. You spend too long alone. And its forced me to address that.

  Anthony Minghella

• When I became the chair of the British Film Institute, I didn’t understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it’s for, why it exists, why it needs its money.

  Anthony Minghella

• The problem with growing up in a cafe was the cafe never closed, my parents worked every day of the year from morning to night. So it was a big menagerie of kids, business and cooking!

  Anthony Minghella

• The only lesson to extract from any civil war is that it’s pointless and futile and ugly, and that there is nothing glamorous or heroic about it. There are heroes, but the causes are never heroic.

  Anthony Minghella

• The imaginative leap for me of writing for women is no more difficult than the one of writing for men. I’ve always wanted to have women well represented in the work that I’ve done because I’ve always been around them and around the way they look at the world.

  Anthony Minghella

• The feeling of not belonging, of not being entirely worthy, of being sometimes hostage to your own sensibilities. Those things speak to me very personally.

  Anthony Minghella

• Of course, like all film-makers I’ve been mesmerised by cinema since I was a child.

  Anthony Minghella

• No studio in Hollywood wanted ‘Cold Mountain.’ None. No one wanted ‘Ripley,’ no one wanted ‘The English Patient.’ That tells you there isn’t really an appetite for ambitious movie-making out there.

  Anthony Minghella

• My grandmother was a huge influence on me and the fact that there was this very strong, rather formidable presence of women in my life has been an enormous value.

  Anthony Minghella

• Look at it this way: if you write the novel of ‘Cold Mountain,’ it costs exactly the same to produce and market as a novel set in a room. If you make the film, the disparity of costs is huge.

  Anthony Minghella

• I work fitfully, in hope rather than in expectation, invent methods which last a week, and fill notebooks with tiny, illegible writing which often defies my own attempts to decipher it.

  Anthony Minghella

• I was one of five very clever kids, the other kids were cleverer than I was and still are and are very achieving. The girls were always first at everything and I was always 101st!

  Anthony Minghella

• I never feel more myself than when I’m writing; I never enjoy any day more than a good writing day.

  Anthony Minghella

• I have always believed that there is a need for life-affirming films.

  Anthony Minghella

• I had never thought of myself as a director and found out that I was not. I am a writer who was able to direct the films that I write.

  Anthony Minghella

• I don’t hold with the notion that only bad books make good movies.

  Anthony Minghella

• I always listen to music, my passion and vice is music, I will be denied access to heaven because of the number of CDs I own, and I have gluttony for all types and colours of music.

  Anthony Minghella

• Being a writer-director can sometimes make you incredibly blinkered.

  Anthony Minghella

• As a teenager I was obsessed with music and with writing and performing songs.

  Anthony Minghella

Anthony Minghella (19)

Birth:	6th January, 1954
Death:	18th March, 2008
Nationality:	British
Profession:	Actor, Film Director, Playwright, Producer, Screenwriter

About

Anthony Minghella was a British film director, playwright and screenwriter. He was chairman of the board of Governors at the British Film Institute between 2003 and 2007. He won the Academy Award for Best Director for The English Patient, which also won the Academy Award for Best Picture, the BAFTA Award for Best Film and Golden Globe Award for Best Motion Picture – Drama.  He also wrote several episodes of the ITV detective drama Inspector Morse and an episode of long-running ITV drama Boon. Made in Bangkok found mainstream success in the West End. His last work was the screenplay of the film adaptation of the Tony Award-winning musical Nine; Arthur Kopit and Maury Yeston.

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Births

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• 1962 - Rene Coty
• 1996 - Ray Blanton
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• 1988 - Luis Barragan
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